
She hates falling asleep
alone. Goes to the opera
after her husband died,
head lolling gently on the shoulder
of the man sitting to her right, loses
herself in the swell of the arias but no one notices.
Near the end, his breath, rough, drowned
out by the reverberating
soprano, plush maroon seats, sleep.
They sat through Swan Lake, The Prodigal
Son, wrapped in the safety of voices, the hum
of people whispering, no one
probing for answers.
But there was no music
when he died, an audience of nurses, doctors,
never having heard Michael Tippett, cappella,
a full orchestra, or Luciano Berio.
When they bury him, during the third
showing of Benjamin Britten's Death
in Venice, she clothes herself in black,
mourns in her fanciest dress, rouge, pearls,
seated in the balcony, closes her eyes
dreams of dancing again.






